Hal Foster

Working patiently in his family-run lab, Krym Altynbekov has restored and re-created chariots, saddles, weapons, tools and clothing unearthed over the past four decades, including the unnamed warrior dubbed “the Golden Man,” who has become a national symbol of the Central Asian nation’s nomad history. But “gold isn’t the treasure for us,” says Altynbekov’s daughter Elina. “It’s the information we obtain about our past.”